RIP Lari Goss

As busy as my life has been over the past year or so, it would take some huge news to bring me back out of hiding.  Unfortunately, the news of said magnitude is not good news.  It has been reported by many SG artist and industry types this afternoon that Lari Goss has passed away.  I’ve mentioned Lari on this blog many, many, many times, and I consider him one of, if not the biggest unsung heroes in Southern Gospel history.  Lari Goss was the most creative and innovative arranger the genre has ever seen.  He touched so many different artists’ careers that it would be impossible to name them all.  I will say that his fingerprints are all over the albums that were voted on this site a couple of years ago as the top 2 projects in SG: Pillars of Faith by Gold City and Symphony of Praise by The Cathedrals.  He was also a driving force behind the group I’ve long felt should have been more successful, Friends IV, whose arrangements to this day are unparalleled in gospel music.  In recent years, he produced the landmark recording Declaration by the Booth Brothers, which was met with much critical acclaim.  Lari was truly one of a kind.

Enjoy your much deserved reward, Lari.  Southern Gospel music will never be the same without your musical genius.

Essential Christmas Music: SG and Non-SG

Yes it’s been forever, but I have been in the Christmas spirit and still swamped at a new job.  I’m thankful for both of those things, but blogging time has still been slim.  I don’t want to go without posting SOMETHING for you for Christmas, so I decided I’d join the crowd and post my essential Christmas music.  Here’s a list of essential SG albums, and essential non-SG Christmas albums, trying hard to balance classics with “hidden gems” in both lists.

5 Essential SG Christmas Albums:

5. Ball Brothers – Christmas
4. Martins – Light Of The World
3. Gaither Vocal Band – Still The Greatest Story Ever Told
2. Gold City – Voices Of Christmas
1. Cathedrals – A Cathedral Christmas, Acappella

5 Essential Non SG Christmas Albums

5. Take 6 – He Is Christmas
4. Imperials – Christmas With The Imperials
3. Michael Buble – Christmas
2. 4Him – Season Of Love
1. Carpenters – Christmas Collection

Whatever your taste, I hope you’ve enjoyed the Christmas Season, and I wish you all a very Merry Christmas!  I have a special Christmas post in the queue for tomorrow that I hope you will all enjoy.

MERRY CHRISTMAS FROM THE BURKE FAMILY!!!!!

Southern Gospel, Remixed

The other morning, I was listening to my iPod on the way to work, when The Cathedrals’ “Have You Visited Heaven Lately” came across. While it is a great song, I noticed in listening that the mix was a bit shaky and Danny Funderburk’s tenor vocal is mixed very low throughout most of the song. In secular music, remixes are a fairly common occurrence. I received the newest box set from The Beach Boys for my birthday back in September (it is fantastic, by the way), and one of the big selling points of that set are the remixes on it that bring previously hidden vocals in the mix out front, or to make different instruments more prominent.

Why couldn’t Southern Gospel do this? It would open up the market for compilations greatly. I think that the basic formula that is used by The Beach Boys would work well for Southern Gospel projects. The Beach Boys use a team of three respected producers/engineers that are also fans of the group, and those three guys are responsible for actually doing the remixes, then the final product is approved by the group, whether it is a greatest hits type compilation, a complete album remix, or a large boxed set. This could work well in Southern Gospel. For example, I’d love to hear what Garry Jones and Ricky Free could do with classic Gold City songs or albums. Imagine Jones and Michael English or David Phelps tackling The Cathedrals, or Madison Easter and Michael Sykes remixing classic Oak Ridge Boys material.

The advantage here is that the artist doesn’t have a huge commitment other than giving a thumbs up to the final product, and the actual work becomes a labor of love for qualified, talented people who are fans of the group they are working with anyways. That’s a key point, but it works. The biggest obstacle? While the owners of the masters for these projects aren’t the ones doing the remixing, nearly all of these masters were recorded to analog tape, which means they would have to be digitally converted, which could be a time consuming and potentially expensive proposition, before they were turned over to the engineers for remixing.

Still, I think this could be a pretty successful venture. Who wouldn’t want to hear restored and remixed versions of classics by the Statesmen or the Blackwood Brothers? I’d love to hear a tighter mix of “Have You Visited” that smooths out the blend and brings what sounds like a great high vocal from Danny Funderburk out front so it can be better heard. Who is willing to take the first step?

Thoughts On The Tracy Stuffle Benefit

I watched the large majority of the benefit concert for Tracy and Libbi Stuffle online last night. What a tremendous outpouring of love and support by our fellow SG artists. I thought Jason Crabb and Joseph Habedank did marvelous jobs hosting the concert, and there were a lot of highlights. Former Palmetto State tenor Robert Fulton was singing with Gold City, and they sounded pretty solid.

There was quite a unique lineup of The Hoppers last night as well. Kim is very ill with sinus problems, and may even be facing surgery, sloshed and Dean were at home. Taranda Greene filled in for Kim, and Jason and Joseph alternated filling in Dean’s part. “I’ve Come Too Far” was fantastic, Connie and Taranda both nailed their parts of the song, and on the encore, Tim Riley supplied some incredible bass vocals.

The Booth Brothers did their two songs with only piano accompaniment from Nick Bruno, and it showcased their amazing blend and harmonies. The Collingsworth Family did an exquisite version of “Fear Not Tomorrow”, with Olivia joining what was a trio of her mom and sisters. I’ll disagree with my esteemed colleague Daniel Mount, as to my ears it sounded like Olivia was doubling Courtney, not Brooklyn. Mark Lowry was hilarious, and Paul Harkey was impressive with EHSS. The Oak Ridge Boys also sang with only piano accompaniment as well, and they were very genuine in their love and support for Tracy and Libbi.

More important and significant than all of this, though, came with The Perrys set, and the surprise appearance by Libbi, who sang a heart wrenching performance of “ThroughThe Night.”. After the set, Dr. Phil Hoskins took the stage and had a time of anointing and prayer for Libbi and Tracy. Seeing all of the artists in attendance gathered at the altar with their arms outstretched toward Libbi in prayer was the single most powerful moment I’ve witnessed at a concert. After several minutes of prayer, Libbi began singing “‘Tis So Sweet” from the midst of the group, and the rest of the artists and congregation joined in singing acappella. It was an incredibly sweet moment.

I have no idea how much money was raised last night, but judging from the crowd it had to have been a significant amount. Even,ore important though, 25 or so people rededicated their livestock Christ, and 8 or 9 were saved when Dr. Hoskins gave an altar call. This is what Southern Gospel is all about, and it made me proud to be even peripherally involved with this industry. All in all, a great night, and I was thankful to be able to watch the online stream.

.

Dan Keeton Departs Gold City

It seems that today is a day for changes with the new year upon us.  Dan Keeton has announced his departure as Gold City’s tenor vocalist.  When Dan was announced as Brent Mitchell’s replacement with Gold City, there was some marked skepticism about how he would fit with Gold City.  Dan met the skeptics head on and greatly exceeded most everyone’s expectations.  Dan has been a fine tenor for Gold City, and turned in some really good performances on the group’s Somebody’s Coming CD.  He is leaving to pursue a dream of starting an organization that helps children who are victims of abuse.  Keeton has done well with Gold City, and will be missed.  Here is the open letter from Dan:

In march of 2011, I was afforded a dream come true, to sing tenor with Gold City. Most of you know my testimony of child abuse, the divorce of my parents and my daddy’s alcoholism. I have recently been given an opportunity to do something I have wanted to do for quite some time. I have wanted to start a non profit organization using music and the arts to inspire child victims of abuse. That opportunity has presented itself and I am so excited, but also heavy hearted. Opening this door means I will have to leave Gold City. I can honestly say, I love the Rileys so much. Tim and Danny are like family to me. Chuck, Bryan and Jerry are so easy going and fun to be around that I will dearly miss being on the bus with such fine Christian gentlemen. I will always be greatful for my time here.

As friends and fans of Gold City, please know, I love you all. I have never felt so much love as I have from you. Please pray that Gold City finds the best replacement and the transition is as smooth as possible.

Best wishes to you, Dan, on your new endeavor, and prayers for Gold City as they search for the right person to fill their tenor position.

NQC Awards Ballot: First Round

Since several others have posted their ballots in the first round of the NQC awards voting, I will do the same.

  • Bass: Tim Riley
  • Baritone: Mark Trammell
  • Lead: Bill Shivers
  • Tenor: Gus Gaches
  • Soprano: Karen Peck Gooch
  • Alto: Courtney Collingsworth Metz
  • Soloist: Steve Ladd
  • Male Group: Gold City
  • Mixed Group: Collingsworth Family
  • Musician: Jeff Stice
  • Album: Let It Be Known – Booth Brothers
  • Song: “On The Banks Of The Promised Land” – Karen Peck and New River

SG Quartets: Walking In Memphis

As was announced on Daniel Mount’s blog today, plans are moving along for an all male quartet event called the “J.D. Sumner Quartet Show” in Memphis, TN to be held June 19-22, 2013.  This is the brainchild of several quartet leaders and concert promoters, and is being held in conjunction with the 15 year anniversary of Sumner’s death, in the city where he and James Blackwood started the National Quartet Convention in 1957.  James’ son Jimmy is one of the organizers of this event, along with Stewart Varnado of the Dixie Echoes.

I was just in the auditorium of the Cook Convention Center, known as the Cannon Center for the Performing Arts, for a business meeting a couple of weeks ago and it’s a beautiful facility that seats about 2,100 people, give or take.  There is also an exhibit hall attached to the facility that should rival Freedom Hall’s in Louisville.  The facility sits on the north side of Downtown Memphis with entrances on both Main St., and Front St. overlooking the Mississippi River.

The event has a website here, and a Facebook page here.  The initial lineup of groups already committed is extremely strong, with names like Brian Free and Assurance, Ernie Haase and Signature Sound, Gold City, The Kingsmen, The Dixie Echoes, and Triumphant Quartet, among others.  Also, there are plans underway to add more “up and coming” type quartets to the lineup as well.

If you can’t tell, I’m very excited about the possibilities of this event coming to my hometown, and I’ll see you all there!

%d bloggers like this: