November 16, 2013 3 Comments
The other morning, I was listening to my iPod on the way to work, when The Cathedrals’ “Have You Visited Heaven Lately” came across. While it is a great song, I noticed in listening that the mix was a bit shaky and Danny Funderburk’s tenor vocal is mixed very low throughout most of the song. In secular music, remixes are a fairly common occurrence. I received the newest box set from The Beach Boys for my birthday back in September (it is fantastic, by the way), and one of the big selling points of that set are the remixes on it that bring previously hidden vocals in the mix out front, or to make different instruments more prominent.
Why couldn’t Southern Gospel do this? It would open up the market for compilations greatly. I think that the basic formula that is used by The Beach Boys would work well for Southern Gospel projects. The Beach Boys use a team of three respected producers/engineers that are also fans of the group, and those three guys are responsible for actually doing the remixes, then the final product is approved by the group, whether it is a greatest hits type compilation, a complete album remix, or a large boxed set. This could work well in Southern Gospel. For example, I’d love to hear what Garry Jones and Ricky Free could do with classic Gold City songs or albums. Imagine Jones and Michael English or David Phelps tackling The Cathedrals, or Madison Easter and Michael Sykes remixing classic Oak Ridge Boys material.
The advantage here is that the artist doesn’t have a huge commitment other than giving a thumbs up to the final product, and the actual work becomes a labor of love for qualified, talented people who are fans of the group they are working with anyways. That’s a key point, but it works. The biggest obstacle? While the owners of the masters for these projects aren’t the ones doing the remixing, nearly all of these masters were recorded to analog tape, which means they would have to be digitally converted, which could be a time consuming and potentially expensive proposition, before they were turned over to the engineers for remixing.
Still, I think this could be a pretty successful venture. Who wouldn’t want to hear restored and remixed versions of classics by the Statesmen or the Blackwood Brothers? I’d love to hear a tighter mix of “Have You Visited” that smooths out the blend and brings what sounds like a great high vocal from Danny Funderburk out front so it can be better heard. Who is willing to take the first step?